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Print Resources

Get your files ready for print.

Short, plain-language guides for designers, brands, artists and anyone new to print.

General guidance only. Requirements vary by product and production partner — we'll confirm exact specs for your project before anything prints.

9 guides

01Preparing artwork for printWhat to send so your files are ready to check, quote and print. · Everyone+
  • Send the final version of each file, clearly named (e.g. cover, inside pages, back).
  • PDF is usually the easiest format to check. If you only have the original design file, send it with fonts and linked images included.
  • Tell us the finished size, quantity and any finish you have in mind. If you don't know yet, that's fine — we'll help.
  • We'll review your files before production and tell you if anything needs to change.
Start a project →See how the process works →
02Bleed, trim and safe areaWhy artwork that runs to the edge needs a little extra around it. · Designers, first-timers+
  • Trim is where the paper gets cut to its finished size.
  • Bleed is extra artwork beyond the trim, so color or images run cleanly to the edge after cutting. A common amount is 1/8" (3mm) per side, but it varies by product — we'll confirm for yours.
  • Safe area is a margin inside the trim. Keep text, logos and anything important inside it so nothing gets cut off.
Diagram: bleed outside the trim line, safe area inside itKeep text here
BleedTrimSafe area
Ask us to check your file →
03Image resolution and file formatsWhy images that look fine on screen can look soft in print. · Everyone+
  • Screens are forgiving; print shows every pixel. Images pulled from websites or social media are usually too small to print well.
  • A common starting point is around 300 pixels per inch at the size the image will print. Large-format pieces viewed from a distance can often use less — we'll confirm for your project.
  • Logos and text print sharpest as vector artwork (PDF, AI, EPS or SVG).
  • Accepted uploads on our form: PDF, JPG, PNG, TIFF, AI, PSD, EPS, SVG and ZIP.
Upload files with a quote request →
04Color mode and color expectationsWhy printed color can look different from your screen, and how to plan for it. · Designers, brand owners+
  • Screens show color as light (RGB). Most printing mixes inks (CMYK), which can't reproduce every bright screen color.
  • Paper changes color too: uncoated stock looks softer and warmer than coated stock.
  • If exact color matters — a brand color, skin tones, artwork reproduction — tell us early. We can talk about proofs or samples before the full run.
  • We can't promise an exact match to your screen, but we'll explain the options and what to expect.
Talk through color for your project →
05Book and lookbook artworkPlanning page counts, spreads and covers. · Artists, publishers, fashion brands+
  • Page counts often need to be multiples of 4 (sometimes 8 or 16) depending on the binding. Tell us your page count and we'll confirm.
  • Send inside pages as single pages in reading order unless we ask otherwise.
  • Covers are usually prepared separately; the spine width depends on the page count and paper, so we'll give you the exact size once specs are set.
  • Keep important content away from the inside edge (the gutter), especially on thicker books.
Books & Editorial →Start a project →
06Packaging and label artworkWorking with dielines and real product sizes. · Product brands+
  • Boxes and many labels are built on a dieline — a template showing cuts and folds. Use the dieline for your exact product; don't scale one from another job.
  • Put the dieline on its own layer and don't print it.
  • Tell us how labels will be applied (by hand or machine), the container, and whether they need to handle moisture or refrigeration.
  • A physical sample before a full run is often worth it for packaging. Ask us about it.
Packaging & Labels →Start a project →
07Requesting a quote and choosing specsWhat helps us give you an accurate quote. · Everyone+
  • Product type, finished size, quantity and target date are the most useful details.
  • Paper, finish and binding can be decided together — you don't need to know them up front.
  • Ranges are fine (e.g. 100–250 copies). We can quote a few quantities.
  • Reordering a previous job? Choose "Exact repeat" or "Repeat with changes" on the quote form.
Start a project →All services →
08Turnaround and artwork approvalHow timing works and why approval matters. · Everyone+
  • Timing depends on the product, quantity, finishing and production partner, so we confirm dates with each quote.
  • Production starts after you approve the final artwork and proof. Changes after approval can affect the date.
  • Working to a tight deadline? Ask about rush jobs — we'll tell you honestly what's possible.
See the process →Start a project →
09Common questions about custom projectsQuick answers before you get in touch. · Everyone+
  • Do I need print-ready files? No. Send what you have and we'll tell you what's needed, or help prepare it.
  • Can you help with a project that doesn't fit a category? Yes — describe it and we'll find a way to make it.
  • Do you print in-house? We coordinate production with trusted partners and manage the project for you.
  • We're based in Los Angeles and reach customers by phone, email or video. In-person meetings are by appointment — just ask and we'll set one up.
Contact us →

Still not sure? Ask us.

Send what you have and we'll tell you what's needed.

Start a Project →

SIC / Read the fine print. We gave it good spacing.

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SIC STUDIOS

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